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Hoppers (2026) 97% 8/10 EDIT “After 30 years and 30 films, Pixar continues to show that they can still surprise and create fantastic original stories with Hoppers.” – Collider Mar 2, 2026 Full Review The Napa Boys (2025) 47% 6/10 EDIT “If you accept The Napa Boys and this style of humor, it’ll be one of the strangest parodies you’ll ever see.” – Collider Feb 27, 2026 Full Review Scream 7 (2026) 31% 5/10 EDIT “Scream used to poke fun at the silliness of horror movies and laugh at the genre's clichés, but now, it’s indistinguishable from the films it once gleefully lampooned, in what is easily the worst installment so far.” – Collider Feb 27, 2026 Full Review Redux Redux (2025) 97% 7/10 EDIT “It’s a clever, ambitious take on the multiverse that focuses on the heart of what this possibility could mean, rather than getting stuck in the minutiae of that reality.” – Collider Feb 20, 2026 Full Review Psycho Killer (2026) 12% 4/10 EDIT “Psycho Killer is mostly a collection of overdone tropes and ridiculous choices, all centered around a bland horror villain who’s a composite of other, better killers. ” – Collider Feb 20, 2026 Full Review How to Make a Killing (2026) 46% 6/10 EDIT “How to Make a Killing is more interested in its "eat the rich" concept rather than making a solid thriller, and the difference can absolutely be felt.” – Collider Feb 18, 2026 Full Review In the Blink of an Eye (2026) 20% 5/10 EDIT “Even though it’s clear that Stanton wants to tell more ambitious stories in live-action spaces, In the Blink of an Eye posits that maybe he’s biting off more than he can chew. ” – Collider Feb 10, 2026 Full Review The Musical (2026) 58% 6/10 EDIT “While The Musical tries to lean into the frustration and anger of its main character, unlike Doug, the film’s main issue might be that it’s not mean-spirited and dark enough to entirely sell this story.” – Collider Feb 10, 2026 Full Review If I Go Will They Miss Me (2026) 96% 7/10 EDIT “Through Thompson-Hernández’s story, our characters create a surreal, imaginative take on a troubled childhood, full of heartbreaks, growth, and deeper understandings that we’re all just works in progress, regardless of age.” – Collider Feb 6, 2026 Full Review The Best Summer (2026) 83% 7/10 EDIT “Davis’ documentary isn’t necessarily much deeper than a travelogue for a band that featured some of the most important alt-rock artists of the 1990s, but The Best Summer doesn’t need to be more than that.” – Collider Feb 6, 2026 Full Review The Strangers: Chapter 3 (2026) 18% 3/10 EDIT “The Strangers: Chapter 3 is certainly the best segment of this frustrating story. But still, the best shit sandwich is still a shit sandwich.” – Collider Feb 6, 2026 Full Review zi (2026) 68% 5/10 EDIT “Even though zi isn’t quite the powerhouse of independent cinema that films like Columbus and After Yang were, it does feel like the work that Kogonada needed to do in order to right his sails and figure out where to go next. ” – Collider Feb 5, 2026 Full Review Hanging by a Wire (2026) 88% 6/10 EDIT “While Naqvi gives a decent presentation of the events that happened and how this situation went down, Hanging by a Wire lacks both the tension and the depth that one would hope for in a story like this.” – Collider Feb 5, 2026 Full Review The Gallerist (2026) 54% 4/10 EDIT “Despite a game cast and a clever concept, The Gallerist is neither a biting critique nor is it a successful comedy — it’s just bland art.” – Collider Feb 3, 2026 Full Review The Muppet Show (2026) 98% 8/10 EDIT “The Muppet Show is a delightful return for this gang, and if this series (hopefully) gets picked up, the reboot will only get stronger and more refined — but even if this is all we get, it’s great to see my friends having a good time once again.” – Collider Feb 3, 2026 Full Review The Shitheads (2026) 72% 7/10 EDIT “It might not be the most consistent comedy, and it might go over the line one too many times, but you wouldn’t expect a Macon Blair road trip comedy to be anything but a bit of a bumpy ride.” – Collider Feb 2, 2026 Full Review Gail Daughtry and the Celebrity Sex Pass (2026) 74% 7./10 EDIT “Gail Daughtry and the Celebrity Sex Pass is as unhinged as the name implies, and it’s exactly what we’d want from Wain and Marino. ” – Collider Jan 30, 2026 Full Review undertone (2025) 88% 8/10 EDIT “With undertone, Tuason has created one of the few horror films that’s even more horrifying to hear than it is to see.” – Collider Jan 29, 2026 Full Review The Invite (2026) 91% 8/10 EDIT “The Invite might seem like a simple idea, but Wilde, as well as Jones, McCormack, and her excellent cast, make this into a compelling, delightful, and moving comedy that's more intricate than it might seem.” – Collider Jan 28, 2026 Full Review The Moment (2026) 66% 7/10 EDIT “Charli says goodbye to brat with a fun, scattered rockumentary.” – Collider Jan 25, 2026 Full Review Buddy (2026) 83% 7/10 EDIT “Buddy is the kind of odd comedy that could take one joke and wear it out, but instead, Kelly’s film will leave you wanting even more of this nostalgic nightmare.” – Collider Jan 24, 2026 Full Review The History of Concrete (2026) 100% 8/10 EDIT “If The History of Concrete proves anything, it’s that Wilson can make a movie about anything and make it absolutely brilliant.” – Collider Jan 24, 2026 Full Review Carousel (2026) 68% 7/10 EDIT “Thanks to two engaging performances by Chris Pine and Jenny Slate, and Lambert’s penchant for moments we rarely see captured on screen, Carousel is a surprising and charming take on the romance film.” – Collider Jan 23, 2026 Full Review Paralyzed by Hope: The Maria Bamford Story (2026) 94% 8/10 EDIT “In Paralyzed by Hope, directors Judd Apatow and Neil Berkeley give an in-depth look at the life and career of Bamford and show why she’s the current best thing.” – Collider Jan 23, 2026 Full Review Return to Silent Hill (2026) 19% 3/10 EDIT “This powerful survival horror story has been turned into an ugly, laughable adaptation that proves that maybe we should’ve never gone back to Silent Hill.” – Collider Jan 21, 2026 Full Review
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