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A-
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Hoppers
(2026)
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Brian Orndorf
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Pixar scores a major success with this wonderful feature, with Chong overseeing rich animation and flavorful voice work, while Andrews manages to find a plot and a message worth following.
Posted Mar 02, 2026
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B
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Dolly
(2025)
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Brian Orndorf
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Vividly sold with all kinds of gruesomeness, putting on a big display of nastiness for those who really enjoy such extremity.
Posted Mar 02, 2026
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B+
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Heel (The Good Boy)
(2025)
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Brian Orndorf
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An unsettling movie at times, but also one that enjoys playing with perspective and performance, creating a memorable understanding of imprisonment that’s meant to benefit both the captive and the captor.
Posted Mar 02, 2026
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B-
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Youngblood
(2025)
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Brian Orndorf
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The two takes on "Youngblood" are different in small ways, but the 2026 version is after a grittier understanding of hurt, out to reach a slightly younger audience with a refreshed look at ’80s entertainment.
Posted Mar 02, 2026
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B-
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In the Blink of an Eye
(2026)
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Brian Orndorf
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It’s a big swing of a movie, and it remains an unwieldy sit, but for patient viewers, there’s a good amount of sensitivity to experience here as the endeavor seeks to inspect the power of emotional connections and the movement of time.
Posted Feb 27, 2026
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C
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Scream 7
(2026)
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Brian Orndorf
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It’s nice to have Campbell back, but the writing doesn’t do much with her, especially in the second half of the feature, making the return of Sidney and her amazing resilience (seriously, she should be studied in a lab at this point) kind of blah.
Posted Feb 27, 2026
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C
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Operation Taco Gary's
(2024)
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Brian Orndorf
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It’s not the laugh riot the helmer would like it to be, but Kvamme has the right idea with his timing. It’s his material that needs a lot more work.
Posted Feb 27, 2026
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B-
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Undercard
(2025)
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Brian Orndorf
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"Undercard" eventually slips into "Rocky" mode, but before the expected occurs, Miller generates some involving life struggles and personal relationships to follow, helping the effort get past complete predictability.
Posted Feb 25, 2026
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B-
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The Bluff
(2026)
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Brian Orndorf
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"The Bluff" is supported by periodic aggression, as dramatic interests aren’t exactly thrilling, making the viewing experience more enjoyably visceral than engrossing.
Posted Feb 24, 2026
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B
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The Napa Boys
(2025)
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Brian Orndorf
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The helmer has no idea when to quit, but he lands many laughs in the "sequel," periodically finding inspired goofiness to help support the viewing experience.
Posted Feb 24, 2026
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B-
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Micro Budget
(2024)
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Brian Orndorf
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"Micro Budget" certainly has its moments, though the endeavor could definitely cut a little deeper with its comedy and interest in the difficulty of moviemaking, especially when a complete idiot is calling the shots.
Posted Feb 24, 2026
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B-
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K-Pops!
(2024)
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Brian Orndorf
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"K-Pops" aims to be heartwarming, succeeding in small stretches, and .Paak uses South Korean locations and culture well, creating charming moments before the offering reaches for more predictable plotting.
Posted Feb 24, 2026
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B
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For Worse
(2025)
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Brian Orndorf
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Landecker wins on charm here, delivering a lively performance in a likeable picture that’s often funny and occasionally real, having a little fun with life’s challenges and humiliations.
Posted Feb 24, 2026
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C-
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Bring the Law
(2026)
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Brian Orndorf
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Hopes for a more dramatically involving and active effort aren’t met, but it’s not a complete wipeout, putting Taylor-Compton to work trying to shape something out of a mess of cliches and formula.
Posted Feb 24, 2026
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D
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Commando Ninja 2: Invasion America
(2024)
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Brian Orndorf
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A horrifically overlong sequel that's basically out to make the same jokes, same references, and offer the same low-budget insanity as before, only it now takes what feels like a calendar year to finish the film.
Posted Feb 20, 2026
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B
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The Pout-Pout Fish
(2026)
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Brian Orndorf
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Cusso and Harrington manage to keep things lively and charming in the offering, finding humor and a sense of discovery, even if fans of the original book might be slightly bewildered by what the endeavor does to reach a sellable run time.
Posted Feb 20, 2026
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D
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Psycho Killer
(2026)
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Brian Orndorf
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"Psycho Killer" (which was shot three years ago) is dreadful and an editorial mess, doing nothing to conjure a case of the creeps with its study of pain and suffering.
Posted Feb 20, 2026
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B-
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This Is Not a Test
(2025)
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Brian Orndorf
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There’s blood everywhere and high school concerns, and while the offering isn’t entirely thrilling, MacDonald does a fine job with atmosphere at times as the characters face unusual points of pressure while the world falls apart around them.
Posted Feb 18, 2026
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B
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How to Make a Killing
(2026)
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Brian Orndorf
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Darkly comedic action doesn’t sustain for long enough, but Ford achieves an engrossing setup, and star Glen Powell delivers a fine lead performance in a part that demands a balance of good and evil for a story that takes many turns. Perhaps too many.
Posted Feb 18, 2026
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B+
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Beam Me Up, Sulu
(2025)
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Brian Orndorf
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"Beam Me Up, Sulu" aims to be sensitive and educational, and it’s also entertaining, especially when it focuses on a moviemaking challenge merging fandom with limited resources.
Posted Feb 17, 2026
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B+
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Redux Redux
(2025)
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Brian Orndorf
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There’s a defined move from the helmers to not bog the movie down in technobabble and logic, out to stay human with wild multiverse hopping, and the picture moves fast enough to maintain intensity to the very end.
Posted Feb 17, 2026
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B
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The Dreadful
(2026)
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Brian Orndorf
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A final push into a more enigmatic area of mystery doesn’t quite land, but the feature carries enough compelling scenes of danger and torment to support the viewing experience.
Posted Feb 17, 2026
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D
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Tyler Perry's Joe's College Road Trip
(2026)
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Brian Orndorf
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Perry is back again with another cheap endeavor that mixes rough comedy with insincere messages on black history, remaining as slapdash as ever with his writing and direction.
Posted Feb 13, 2026
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D+
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Wuthering Heights
(2026)
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Brian Orndorf
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Often resembles a blend of music videos and telenovelas.
Posted Feb 13, 2026
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A
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Nirvanna the Band the Show the Movie
(2025)
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Brian Orndorf
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The focus here is on madcap fun with bellylaughs galore, and they deliver hugely with this wonderfully spirited endeavor, which is strictly out to provide a ride of Canadian humor and moviemaking creativity, generating a delightful viewing experience.
Posted Feb 12, 2026
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B
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Crime 101
(2026)
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Brian Orndorf
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One feels the length at times, but the movie has long stretches of focus and hardness that sustain the viewing experience, making this return to troublemaking in L.A. passably engaging.
Posted Feb 11, 2026
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B-
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Hellfire
(2026)
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Brian Orndorf
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It’s not a picture that’s going to wow, but with lowered expectations, it provides bits of B-movie excitement and reliable revenge formula.
Posted Feb 11, 2026
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B
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GOAT
(2026)
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Brian Orndorf
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It’s not a particularly original film, lacking surprises, but there’s a dollop of sweetness and plenty of personality to enjoy, along with basketball extremity only animation can provide.
Posted Feb 10, 2026
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C
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Cold Storage
(2026)
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Brian Orndorf
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"Cold Storage" has sequences of proper hellraising and grisliness (CGI isn’t always polished enough to sell grotesqueries), but there’s just not enough of them to carry a somewhat lifeless viewing experience.
Posted Feb 10, 2026
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B-
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By Design
(2025)
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Brian Orndorf
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Has a capable cast to help support the strangeness of the idea, and Kramer has a few things to share about the state of being a woman in the world today, keeping the picture interesting when it isn’t always engaging.
Posted Feb 10, 2026
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D
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The Mortuary Assistant
(2026)
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Brian Orndorf
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Muddies up one too many times, leading to an unsatisfying ending on an already confusing picture, while the basic genre experience of the production doesn’t bring any fresh ideas to help generate a proper fear factor.
Posted Feb 10, 2026
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D+
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Misdirection
(2025)
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Brian Orndorf
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"Misdirection" does have decently committed performances to help the endeavor achieve a few moments of tension, but the picture is pretty thin overall, lacking enough cinematic emphasis to engage.
Posted Feb 10, 2026
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D-
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The Strangers: Chapter 3
(2026)
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Brian Orndorf
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A stunning bore, wasting whatever potential was there to take the story into a bonkers direction, leaving ticket-buyers with three features of nothingness that should’ve been one terrible movie.
Posted Feb 06, 2026
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D-
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F Valentines Day
(2026)
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Brian Orndorf
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The picture fails to reach even modest expectations for fun, becoming a bummer to sit through.
Posted Feb 04, 2026
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D+
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Whistle
(2025)
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Brian Orndorf
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The helmer can’t get performances where they need to be, and Egerton’s writing veers into the ridiculous one too many times, hoping to coast on the appeal of retro entertainment.
Posted Feb 04, 2026
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B
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Jimpa
(2025)
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Brian Orndorf
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Hyde loses storytelling focus in a picture that should be 20 minutes shorter. However, she still has the cast and a heartfelt study of the ties that bind, greatly complicated by individual needs of support and expression.
Posted Feb 04, 2026
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B-
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Solo Mio
(2026)
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Brian Orndorf
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James and Grimaudo make their moments together shine, with the former rarely tasked to portray human emotions in his films.
Posted Feb 04, 2026
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D+
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The Roaring Game
(2025)
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Brian Orndorf
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Built with cliches and overacting, making for a long sit. Even the ways of curling can’t really save the picture, which spends too much time away from the ice to really celebrate the sport.
Posted Feb 04, 2026
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D-
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Relationship Goals
(2026)
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Brian Orndorf
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The endeavor tries to have heart and soul, but the only feeling viewers might feel is ickiness as the offering is nothing more than a grotesque commercial for a megachurch mogul.
Posted Feb 04, 2026
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A-
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Disneyland Handcrafted
(2026)
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Brian Orndorf
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For Disneyana types, the movie is an engrossing opportunity to enjoy a nearly 3D-like viewing experience of pure labor. For the rest, Iwerks makes sure to celebrate the creative and physical drive of a massive undertaking, making for a riveting sit.
Posted Jan 30, 2026
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B
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Good Luck, Have Fun, Don't Die
(2025)
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Brian Orndorf
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It’s a darkly comedic take on doomsday, allowing Verbinski room to play with tone and intensity as he oversees an unusual time travel/apocalyptic crisis of confusion.
Posted Jan 30, 2026
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3.5/5
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My Bloody Valentine
(1981)
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Brian Orndorf
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While it lacks production polish, "My Bloody Valentine" has a different sort of appreciation for character and masked menace, while Mihalka serves up the gore with a few inventive kills.
Posted Jan 28, 2026
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B
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Shelter
(2026)
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Brian Orndorf
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While it’s not particularly memorable, "Shelter" isn’t goofy like many of Statham’s recent releases, making for a slightly more interesting viewing experience.
Posted Jan 28, 2026
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D+
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The Wrecking Crew
(2026)
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Brian Orndorf
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Absolutely endeavors to get by on charm and star power, but there isn’t a lot of that to embrace. Instead, there’s dismal routine and a lame sense of humor, severely limiting the blast-from-the-past atmosphere Soto hopes to deliver.
Posted Jan 28, 2026
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D+
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Worldbreaker
(2025)
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Brian Orndorf
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There’s no real introduction and very little resolution, keeping the offering at a distance, despite heavy emotions in play at times.
Posted Jan 28, 2026
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B
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Islands
(2025)
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Brian Orndorf
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"Islands" sneaks up on the audience, and while there’s no grand escalation, there are dramatic textures to feel around for, helping to stay involved in a fairly leisurely crisis.
Posted Jan 28, 2026
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C
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Grizzly Night
(2026)
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Brian Orndorf
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There’s a body count, and the material explores the shock of death, but those coming to the film with hopes to enjoy a more charged viewing experience might find themselves sorely disappointed with the effort’s pokiness.
Posted Jan 28, 2026
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B+
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Send Help
(2026)
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Brian Orndorf
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Raimi-isms aren’t dialed up to 11, but he retains tremendous fondness for deliciously macabre events, and he’s gifted a phenomenal performance from Rachel McAdams.
Posted Jan 26, 2026
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D+
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Return to Silent Hill
(2026)
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Brian Orndorf
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Gans seems primed to deliver a refreshed nightmare experience with the sequel, but clunkiness, pokiness, and limited thespian might work to bring down the picture.
Posted Jan 26, 2026
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D+
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Untitled Home Invasion Romance
(2025)
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Brian Orndorf
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The offering ends up with too many characters and too little time to sort through things, keeping everything frustratingly half-baked, resulting in an unsatisfying film.
Posted Jan 23, 2026
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