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Screen Zealots

Screen Zealots is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Louisa Moore.

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Rating Title | Year Author Quote
Disneyland Handcrafted (2026) Louisa Moore Even as a person who has an in-depth grasp on Disney history, I learned a ton and found out things that I’d never heard (or seen) before. This documentary gave me an even greater and deeper appreciation for Disneyland.
Posted Feb 28, 2026  Edit critic review
Extra Geography (2026) Louisa Moore A coming-of-age story that takes you right back to that time when friendships feel all-consuming, crushes feel life-altering, and growing up feels like something you can perfectly plan out if you just try hard enough.
Posted Feb 28, 2026  Edit critic review
Ghost in the Machine (2026) Louisa Moore The type of documentary that mistakes sheer volume of information for insight, this one feels like an overlong lecture.
Posted Feb 28, 2026  Edit critic review
Don't Let's Go to the Dogs Tonight (2024) Louisa Moore Personal and politically resonant, the film highlights the danger of inherited prejudice from the point of view of a child.
Posted Feb 28, 2026  Edit critic review
Hot Water (2026) Louisa Moore An indie road trip movie that’s not particularly revolutionary, but just a genuinely nice story that meets its modest ambitions.
Posted Feb 28, 2026  Edit critic review
Rosemead (2025) Louisa Moore This slow and heavy film is exhausting, weighed down by glacial pacing and uneven performances.
Posted Feb 28, 2026  Edit critic review
Send Help (2026) Louisa Moore A nasty little thriller about the way power corrupts us all.
Posted Feb 28, 2026  Edit critic review
Sound of Falling (2025) Louisa Moore A hypnotic meditation on time, memory, and the quiet violence that echoes through generations.
Posted Feb 28, 2026  Edit critic review
The Best Summer (2026) Louisa Moore A music documentary needs more than access and vibes, and this one never finds anything deeper to say. "The Best Summer" is the kind of documentary that mistakes access for substance.
Posted Feb 20, 2026  Edit critic review
Hanging by a Wire (2026) Louisa Moore An edge-of-your-seat true rescue story with with a razor-edged social sting.
Posted Feb 20, 2026  Edit critic review
Run Amok (2026) Louisa Moore A bold and uncomfortable exploration of unresolved grief that doesn’t quite know how far it wants to go.
Posted Feb 20, 2026  Edit critic review
Seized (2026) Louisa Moore A well made and deeply reported First Amendment documentary that’s smart enough to trust its audience.
Posted Feb 20, 2026  Edit critic review
zi (2026) Louisa Moore This is exactly the kind of film most viewers will fairly dismiss as being too artsy and vague. It’ll test your patience long before the halfway mark.
Posted Feb 20, 2026  Edit critic review
All About the Money (2026) Louisa Moore Through its look at radical politics and privileged elites, the documentary asks a thorny question: how do you dismantle a system you’re profiting from?
Posted Feb 20, 2026  Edit critic review
No Other Choice (2025) Louisa Moore With its sharp social commentary and dark subject matter, this film is a devilish critique of capitalism and the violence it can breed.
Posted Feb 09, 2026  Edit critic review
The Secret Agent (2025) Louisa Moore Thoughtful, tense, politically sharp, and consistently engaging, how refreshing to see a film that not only respects its audience, but delivers tenfold.
Posted Feb 09, 2026  Edit critic review
Nuisance Bear  (2026) Louisa Moore This elegant and thought-provoking meditation on resilience, coexistence, and responsibility is gorgeous, powerful, and heartbreaking all at once.
Posted Feb 09, 2026  Edit critic review
Sentient (2026) Louisa Moore One of the most emotionally distressing documentaries I’ve ever seen. It’s given me nightmares for days, and I can’t shake the film's stories or images. I truly wish I’d never watched it, but I also know it was important to.
Posted Feb 09, 2026  Edit critic review
Everybody To Kenmure Street (2026) Louisa Moore The refusal to stay silent is the backbone of resistance, showing what can be achieved when we stand together. This creative, bird's eye view documentary screams "Power to the People!"
Posted Feb 09, 2026  Edit critic review
Closure (2026) Louisa Moore A beautifully made documentary about the painful truth of what it means to keep searching when closure may never come.
Posted Feb 09, 2026  Edit critic review
Silenced (2026) Louisa Moore An emotionally exhausting documentary with a message that’s timely and necessary, this film doesn’t hold back with its blazing critique of an issue that seems to be getting increasingly worse for women around the world.
Posted Feb 09, 2026  Edit critic review
The Musical (2026) Louisa Moore An ugly, mean-spirited film that is unpleasant in a way that feels deliberate but not especially rewarding.
Posted Feb 09, 2026  Edit critic review
H Is for Hawk (2025) Louisa Moore Leans too heavily into the familiar, but the film is a thoughtful, quietly profound meditation on grief and the fragile process of learning how to live again.
Posted Feb 09, 2026  Edit critic review
Nouvelle Vague (2025) Louisa Moore Enchanting, pretentious, and mildly irritating, this is absolute catnip for lovers of French New Wave cinema.
Posted Feb 09, 2026  Edit critic review
The Choral (2025) Louisa Moore An earnest and comforting period piece about the healing power of music and the way creating something together can offer a glimmer of hope in the darkest of times.
Posted Feb 09, 2026  Edit critic review
If I Go Will They Miss Me (2026) Louisa Moore What a beautifully realized film about the fragile, complicated bonds between parents and their children.
Posted Feb 09, 2026  Edit critic review
Union County (2026) Louisa Moore Doesn’t quite rise above being just another quietly competent indie drama, but it will certainly resonate with viewers who personally know someone who’s been through the system.
Posted Feb 09, 2026  Edit critic review
28 Years Later: The Bone Temple (2026) Louisa Moore Leans hard into philosophical territory, contrasting spirituality and scientific reasoning while exploring themes of fascism, survival, and the erosion of identity. This is intellectual horror functioning at its highest level.
Posted Feb 09, 2026  Edit critic review
A Private Life (2025) Louisa Moore A great example of thoughtful, modern noir that values psychological depth over straightforward plot devices.
Posted Feb 09, 2026  Edit critic review
Shelter (2026) Louisa Moore A dime a dozen story elevated slightly by its performances, but lacks the excitement and tension needed to make it stand out as a fun action flick. If you’re a Statham fan, you’ll get through it just fine.
Posted Jan 29, 2026  Edit critic review
The Rip (2026) Louisa Moore A mediocre entry in the already overcrowded dirty cop genre.
Posted Jan 29, 2026  Edit critic review
Mercy (2026) Louisa Moore Though it barely scratches the surface of its big ideas, the movie’s sheer entertainment value smooths over the missed opportunities.
Posted Jan 22, 2026  Edit critic review
Sirāt (2025) Louisa Moore Though its meandering structure and minimal plot can test patience, the film’s shocking turns and immersive atmosphere make it a haunting, if imperfect, experience.
Posted Jan 22, 2026  Edit critic review
To the Victory! (2025) Louisa Moore Part comedy, part tragedy, and part heartbreak, the film honestly addresses the messy, painful aftermath of war.
Posted Jan 21, 2026  Edit critic review
Cover-Up (2025) Louisa Moore A sharp, unflinching look at the constant tug-of-war between truth and power, showing how systemic secrecy and self-preservation can rot the foundations of democracy.
Posted Jan 21, 2026  Edit critic review
Goodbye June (2025) Louisa Moore This depressing holiday drama is predictable, emotionally draining, and ultimately forgettable.
Posted Jan 21, 2026  Edit critic review
One More Shot (2025) Louisa Moore A fresh take on the time loop genre, the film blends comedy, drama, and romance with a bit of cheeky science fiction fantasy.
Posted Jan 10, 2026  Edit critic review
The Voice of Hind Rajab (2025) Louisa Moore This testament to courage, humanity, and lives lost is unforgettable, if you can handle the heartbreak.
Posted Jan 10, 2026  Edit critic review
The Plague (2025) Louisa Moore A dark meditation on adolescence, cruelty, and the cost of belonging.
Posted Jan 10, 2026  Edit critic review
Is This Thing On? (2025) Louisa Moore Trades grand drama for lived-in naturalism, creating one of the more convincing portraits of a marriage nearing its end.
Posted Jan 07, 2026  Edit critic review
Anaconda (2025) Louisa Moore This is the kind of movie that sounds like it could be painfully stupid on paper, but instead turns out to be genuinely funny, self-aware, and far more charming than it has any right to be.
Posted Jan 03, 2026  Edit critic review
Rental Family (2025) Louisa Moore A small but meaningful reminder of how important kindness and human connection really are in a world that seems to be losing both.
Posted Jan 03, 2026  Edit critic review
It Was Just an Accident (2025) Louisa Moore Asks whether it’s possible to hold onto your humanity while staring down the person you believe destroyed it.
Posted Jan 01, 2026  Edit critic review
The Testament of Ann Lee (2025) Louisa Moore Admirable in its audacity and unforgettable in its execution, this film is unlike anything you have ever seen.
Posted Dec 29, 2025  Edit critic review
Marty Supreme (2025) Louisa Moore There’s a lot to appreciate here, but be prepared for a character study of narcissism rather than a highly entertaining drama.
Posted Dec 29, 2025  Edit critic review
Song Sung Blue (2025) Louisa Moore The film settles for bland mediocrity, drowning its musical dreams and emotional ambitions in clichés, strained performances, and a dispiriting lack of inspiration.
Posted Dec 29, 2025  Edit critic review
Late Shift (2025) Louisa Moore The film strikes a careful balance that provides suspense without sensationalizing, tension without melodrama, and respect for the real-world heroes the film depicts. Those who work in the field will no doubt find much that rings true.
Posted Dec 29, 2025  Edit critic review
Don't Let the Cat Out (2025) Louisa Moore The movie walks a fine line between horror and comedy, but it never goes full camp. It’s more awkwardly funny than outright hilarious, which somehow makes it even more disturbing.
Posted Dec 29, 2025  Edit critic review
Lovely Day (2025) Louisa Moore A charming, funny, and quietly devastating portrait of a man learning to face not just marriage, but himself.
Posted Dec 29, 2025  Edit critic review
The Smashing Machine (2025) Louisa Moore The fights, the travel, and the cycles of addiction are presented with such blunt persistence that they begin to feel more like an endurance test than a work of art that’s designed to draw the audience in.
Posted Dec 29, 2025  Edit critic review
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