Django, Kill

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mark g @Mark_Alan_G. Feb 3 If you've ever seen Quentin Tarantino's movie Once Upon a Time in Hollywood the main character played by Leonardo DiCaprio, Rick Dalton, starts to cry when he realizes that the only options left for him as an actor, are making spaghetti westerns. If you watch this film, you will understand why he's so depressed. See more DanTheMan 2 @DanTheMan2150AD Oct 8 Plunged into an odyssey of gruesome torture, graphic violence and relentless sexual depravity, Django Kill is possibly the most cynical portrait of frontier greed and human corruption in the entire Spaghetti Western subgenre. An extraordinarily savage and psychedelic blend of splatter horror and the western, it doesn't adhere closely to convention, turning a nightmare scenario and moral confrontations into a hellish allegory on greed, guilt, sadism, and justice that doesn't quite recognise its own peculiarities. While all is presented very seriously, savagely and brutally at times, it breaks down in its own playing field with its choice of factors. The entire narrative unfolds with little cohesion and an almost hallucinogenic quality, while the photography, editing, lighting, and Giulio Questi's direction all work beautifully together to create a feeling of something very off-kilter. A no-holds-barred free-for-all where the only limits are in the budget. Tomas Milian's performance is relatively subdued, putting him at direct odds with Roberto Camardiel's more larger-than-life idiosyncrasies; it's two very different styles that complement each other very well. The events are all underlined by a rather enjoyable, if repetitive, score by Ivan Vandor. With its crucifixions, drunken parrots, vampire bats, gratuitous bloodletting and slightly gothic, quasi-religious, homoerotic villains, it's little wonder Django Kill has amassed a bit of a cult following, a wild and wacky ride through a 60s nightmare. Its very weirdness keeps you hanging on as the trip takes increasingly bizarre turns. See more 10/21/2018 #MovieReview 2,5 ?? Após ser baleado e ser resgatado por índios que acham ser ser mágico, mestiço busca vingança e ouro roubado em um vilarejo surrealista. Roteiro meio doido, meio suíço (pelos buracos) neste filme. See more delysid d @RT67044741 01/27/2018 i liked this film, i found it to be totally confusing but still fun See more 11/28/2016 After he's betrayed during a gold robbery and left for dead, Django must seek revenge on those who wronged him. This film actually had nothing to do with the original 1966 Franco Nero film, but merely had the foreign release of the film add Django to the title and renamed the main character. Tomas Milian is good in the lead as Django, and the action was decent enough to hold my interest, although there isn't really enough to distinguish this film from dozens of other spaghetti westerns, with the exception of Milian, who's quite good. See more 09/30/2016 Surreal is a common word used to describe this film, and that it is. One of the strangest spaghetti westerns ever made which I enjoyed much more on my second viewing. See more Read all reviews

Django, Kill

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