|
6/10
|
Narciso
(2026)
|
Emiliano Basile
|
More than grand dramatic outbursts, restrained gestures and suffocating atmospheres predominate, allowing the viewer to experience the invisible weight of control. [Full review in Spanish]
Posted Mar 03, 2026
Edit critic review
|
|
6/10
|
Playa de Lobos
(2025)
|
Laia Cabuli
|
...the film doesn't quite convince completely: its sometimes monotonous pace and a tension that never fully explodes prevent it from achieving the power that its premise promised. [Full review in Spanish]
Posted Mar 03, 2026
Edit critic review
|
|
7/10
|
Sad Girlz
(2026)
|
Santiago Echeverría
|
Sad Girlz belongs to a cinematic tradition that addresses trauma through its effects rather than by simply recounting the events. [Full review in Spanish]
Posted Mar 01, 2026
Edit critic review
|
|
3/10
|
The Wizard of the Emerald City
(2024)
|
Laia Cabuli
|
[The Wizard of the Emerald City] is a complete failure, both for its stagnant and repetitive structure and for its flat, unappealing, and boring characters. [Full review in Spanish]
Posted Feb 28, 2026
Edit critic review
|
|
9/10
|
EPiC: Elvis Presley in Concert
(2025)
|
Denise Pieniazek
|
EPIC It's more than a documentary, more than a film concert, it's a spectacular experience that deserves to be seen in a good, immersive movie theater. It shows something that has not been captured before: Presley's joy and great sense of humor...
Posted Feb 27, 2026
Edit critic review
|
|
7/10
|
Scream 7
(2026)
|
Miguel Calabria
|
The film develops a solid atmosphere and sustained tension throughout much of its runtime, though the final act lacks the impact of previous installments. [Full review in Spanish]
Posted Feb 27, 2026
Edit critic review
|
|
8/10
|
Little Amélie or the Character of Rain
(2025)
|
Amparo Cabal
|
[Little Amélie or the Character of Rain ] invites us to delve into a sensory experience, prompting questions about the origins of our own way of perceiving the world. [Full review in Spanish]
Posted Feb 27, 2026
Edit critic review
|
|
4/10
|
Firebreak
(2026)
|
Emiliano Basile
|
The film raises relevant themes—grief, collective paranoia, the construction of the "other" as a threat—but consumes them in a succession of shocks that prevent reflection from taking root. [Full review in Spanish]
Posted Feb 27, 2026
Edit critic review
|
|
6/10
|
Queen at Sea
(2026)
|
Laura N. Vitali
|
While the story (however harrowing) holds its own and keeps us engaged in the first two-thirds of the film, the biggest problem lies in the ending, with some decisions that strike us as downright despicable. [Full review in Spanish]
Posted Feb 25, 2026
Edit critic review
|
|
4/10
|
Josephine
(2026)
|
Laura N. Vitali
|
The superficiality and crudeness of the characters' psychological development is overwhelming. [Full review in Spanish]
Posted Feb 25, 2026
Edit critic review
|
|
8/10
|
Flies
(2026)
|
Laura N. Vitali
|
Modest and affectionate, Flies grows in its portrayal of its characters, in the current of growing empathy and affection that develops between [its characters]. [Full review in Spanish]
Posted Feb 25, 2026
Edit critic review
|
|
8/10
|
The Loneliest Man in Town
(2026)
|
Laura N. Vitali
|
This isn't a sugarcoated vision that tries to downplay an issue. But the directors are genuinely interested in Al/Alois's life and how he copes with adversity. The path will be unconventional... But it's his own. [Full review in Spanish]
Posted Feb 24, 2026
Edit critic review
|
|
6/10
|
Harold and the Purple Crayon
(2024)
|
Emiliano Basile
|
Harold and the Purple Crayon doesn't seek to reinvent the genre, but rather to recapture the primal wonder of imagining that a simple crayon can change the world. [Full review in Spanish]
Posted Feb 24, 2026
Edit critic review
|
|
7/10
|
The Shadow's Edge
(2025)
|
Laura N. Vitali
|
Ultimately a propaganda film, it's up to the audience to decide whether or not to be swayed by it. What's undeniable is that it's (also) a very good action movie.[Full review in Spanish]
Posted Feb 24, 2026
Edit critic review
|
|
7/10
|
Kick-Ass 2
(2013)
|
Emiliano Basile
|
So many elements working together create this distinctive visual collage, hugely appealing and at times a bit cryptic for previous generations, yet they're exactly what give Kick-Ass 2 its particular, emblematic style...[Full review in Spanish]
Posted Feb 22, 2026
Edit critic review
|
|
6/10
|
Mercy
(2026)
|
Emiliano Basile
|
Mercy (2026) is one of those small films that work because of the originality of its premise and the simplicity of its execution. [Full review in Spanish]
Posted Feb 22, 2026
Edit critic review
|
|
7/10
|
The History of Sound
(2025)
|
Emiliano Basile
|
Hermanus constructs a mise-en-scène of atmospheric beauty, where light and contemplative rhythm lend solemnity to each shot. [Full review in Spanish]
Posted Feb 20, 2026
Edit critic review
|
|
8/10
|
Love
(2024)
|
Amparo Cabal
|
This film explores with great humanity the possibilities offered by romantic relationships in contemporary society...[Full review in Spanish]
Posted Feb 20, 2026
Edit critic review
|
|
8/10
|
The River Train
(2026)
|
Fernando E. Juan Lima
|
The sensitivity with which The River Train captures that sense of "discovery," that "seeing for the first time," is remarkable. This sensitivity explains what, in another context, might even be linked to a fantastical element. [Full review in Spanish]
Posted Feb 20, 2026
Edit critic review
|
|
7/10
|
Strangers in the Park
(2026)
|
Denise Pieniazek
|
...unlike the play of the same name, it is somewhat static, and therefore has less dynamism, so it can be concluded that it works better in theatrical language than in cinematic language. (full review in spanish)
Posted Feb 20, 2026
Edit critic review
|
|
6/10
|
Eternity
(2025)
|
Emiliano Basile
|
It's far from a perfect romantic comedy because it doesn't always hit the mark at the right moment... However, its ingenious premise and the commitment of its actors make it an effective film...[Full review in Spanish]
Posted Feb 19, 2026
Edit critic review
|
|
4/10
|
Wrath of the Titans
(2012)
|
Benjamín Harguindey
|
It takes no risks whatsoever—it's just as entertaining, just as boring, and just as silly as its predecessor, and those who hated or enjoyed the first one can safely choose to avoid or watch the second. [Full review in Spanish]
Posted Feb 19, 2026
Edit critic review
|
|
8/10
|
A Child of My Own
(2026)
|
Santiago Echeverría
|
A Child of My Own avoids the sensationalist "true crime" formula. Instead, it offers an observation on social pressure, identity construction, and the fragility of those caught between desire, obligation, and media exposure. [Full review in Spanish]
Posted Feb 19, 2026
Edit critic review
|
|
8/10
|
Paradise
(2026)
|
Julieta Benitez Böhm
|
With surgical precision in the cadence of sound and the power of the image, this work constructs each scene as if it were an autonomous piece, a film in itself. [Full review in Spanish]
Posted Feb 19, 2026
Edit critic review
|
|
8/10
|
Is This Thing On?
(2025)
|
Laia Cabuli
|
With Is This Thing On?, Bradley Cooper delivers a film that, unlike his previous work, moves away from the glitz and glamour of spectacle to focus on ordinary people grappling with loss and reinvention. [Full review in Spanish]
Posted Feb 18, 2026
Edit critic review
|
|
5/10
|
Keeper
(2025)
|
Nicolás Dell’Acqua
|
In its attempt to emulate the auteur horror associated with Ari Aster or Jordan Peele, Keeper (2025) ends up becoming just another film in the catalog: effective for passing the time, but far from leaving a lasting impression. [Full review in Spanish]
Posted Feb 18, 2026
Edit critic review
|
|
8/10
|
The Red Hangar
(2026)
|
Santiago Echeverría
|
At a time when authoritarian rhetoric is regaining ground, Juan Pablo Sallato's film examines the moment when an individual decides whether to integrate into the system or break away. [Full review in Spanish]
Posted Feb 18, 2026
Edit critic review
|
|
10/10
|
Prometheus
(2012)
|
Emiliano Basile
|
Prometheus is a great film because it elevates the rest of science fiction and horror cinema, which often lacks ideas to justify the constant jump scares and the survival instincts of its protagonists. [Full review in Spanish]
Posted Feb 17, 2026
Edit critic review
|
|
8/10
|
The Grand Budapest Hotel
(2014)
|
Benjamín Harguindey
|
While The Grand Budapest Hotel doesn't delve as deeply into its characters' internal conflicts as "Rushmore," it's imbued with mischief and possesses an undeniable handcrafted charm. [Full review in Spanish]
Posted Feb 16, 2026
Edit critic review
|
|
8/10
|
The Edge of Heaven
(2007)
|
Juan Pablo Pugliese
|
...[The Edge of Heaven] keenly illustrates how, through pain, injustice, and death, differences and distances are accepted and overcome. [Full review in Spanish]
Posted Feb 16, 2026
Edit critic review
|
|
4/10
|
Whistle
(2025)
|
Pachi Laurino
|
... the film does everything possible to enhance a narrative we've seen time and again. Even with some tweaks, it remains repetitive. [Full review in Spanish]
Posted Feb 16, 2026
Edit critic review
|
|
8/10
|
State of Fear
(2026)
|
Emiliano Basile
|
...State of Fear is a social thriller that transforms the sequence shot into a political tool: the camera doesn't stop because neither does the violence.[Full review in Spanish]
Posted Feb 16, 2026
Edit critic review
|
|
8/10
|
Crime 101
(2026)
|
Denise Pieniazek
|
"Crime 101" is a crime movie set in Los Angeles that pleasantly surprises, managing to build an entertaining story with a modern feel but at the same time recalling the good police films of the 90s...
Posted Feb 14, 2026
Edit critic review
|
|
7/10
|
Prey
(2022)
|
Ranny Vasquez
|
Perhaps not all fans will embrace this new direction, but there is something refreshing about seeing a saga that, at last, stops looking back to ask itself what it can be, and not what it was. [Full review in Spanish]
Posted Feb 13, 2026
Edit critic review
|
|
8/10
|
Afternoons of Solitude
(2024)
|
Emiliano Basile
|
...[Afternoons of Solitude is] a denatured look at an archaic spectacle, filmed as if it were the first time we were seeing it, stripped of tradition and confronted with its naked brutality. [Full review in Spanish]
Posted Feb 13, 2026
Edit critic review
|
|
4/10
|
Ella McCay
(2025)
|
Emiliano Basile
|
Ella McCay represents a failed comeback for Brooks. A film that, like its protagonist, is driven by good intentions but never quite finds the right tone or the world it intends to inhabit. [Full review in Spanish]
Posted Feb 13, 2026
Edit critic review
|
|
8/10
|
The Darjeeling Limited
(2007)
|
Juan Pablo Russo
|
The director constantly infuses the plot with subtle irony and a dark humor rarely seen in cinema. [Full review in Spanish]
Posted Feb 13, 2026
Edit critic review
|
|
6/10
|
GOAT
(2026)
|
Laia Cabuli
|
While GOAT constructs a plot with clear messages about passion, self-esteem, and generational clashes, and offers an interesting reflection on the logic of digital fame, the third act feels bittersweet and overly fast-paced. [Full review in Spanish]
Posted Feb 12, 2026
Edit critic review
|
|
7/10
|
Wuthering Heights
(2026)
|
Laia Cabuli
|
It is a risky and, at times, uneven undertaking, but also passionate and visually powerful. [Full review in Spanish]
Posted Feb 11, 2026
Edit critic review
|
|
8/10
|
No Other Land
(2024)
|
Emiliano Basile
|
The filmmakers have crafted a powerful censure, in which the images speak for themselves: an excavator advancing on the horizon, a child playing among the rubble, a mother leading her family. [Full review in Spanish]
Posted Feb 11, 2026
Edit critic review
|
|
6/10
|
The Damned
(2024)
|
Emiliano Basile
|
The result is a disturbing, understated, and consistent film that confirms the potential of folkloric horror as a vehicle for exploring our deepest fears: those born from our own choices. [Full review in Spanish]
Posted Feb 09, 2026
Edit critic review
|
|
7/10
|
Dangerous Animals
(2025)
|
Emiliano Basile
|
Dangerous Animals is, ultimately, an intense and well-executed psychological thriller, where the true horror doesn't arise from the ocean, but from the mind of a predator who understands fear as his natural habitat. [Full review in Spanish]
Posted Feb 06, 2026
Edit critic review
|
|
6/10
|
La Fiera
(2026)
|
Santiago Echeverría
|
...a visually stunning film that respects the figures it portrays, but it falls short in constructing a narrative experience that transcends the initial awe. [Full review in Spanish]
Posted Feb 05, 2026
Edit critic review
|
|
6/10
|
Greenland 2: Migration
(2026)
|
Emiliano Basile
|
...Greenland 2 fulfills its function as a decent, well-intentioned product, consistent with its pessimistic view of humanity's future. However, in cinematic terms, it lacks the novelty and energy necessary to transcend...Full review in Spanish]
Posted Feb 04, 2026
Edit critic review
|
|
7/10
|
Arco
(2025)
|
Laia Cabuli
|
While Arco boasts a solid structure and delivers powerful messages—permeated by sadness, environmentalism, family, and the dangers of technological advancement—the narrative occasionally becomes overly monotonous. [Full review in Spanish]
Posted Feb 04, 2026
Edit critic review
|
|
7/10
|
The Toxic Avenger
(2023)
|
Emiliano Basile
|
The Toxic Avenger aims to be—and succeeds—faithful to the universe created by Troma Entertainment: a nonsensical gorefest, an unrestrained experience that enthusiastically embraces absurdity. [Full review in Spanish]
Posted Feb 04, 2026
Edit critic review
|
|
4/10
|
Percy Jackson & the Olympians: The Lightning Thief
(2010)
|
Juan Pablo Pugliese
|
Of course, of the early installments in fantasy series...Percy Jackson is the least successful, lacking the artistic flair, visual spectacle, and charismatic characters necessary for—at the very least—effective entertainment. [Full review in Spanish]
Posted Feb 03, 2026
Edit critic review
|
|
6/10
|
The Girl With the Dragon Tattoo
(2009)
|
Ezequiel Obregón
|
A social drama laced with thriller elements, The Girl With the Dragon Tattoo is ultimately a film with a very contemporary perspective,...[Full review in Spanish]
Posted Feb 03, 2026
Edit critic review
|
|
8/10
|
The Hurt Locker
(2008)
|
Ezequiel Boetti
|
...The Hurt Locker is an intense story that addresses war, shocking for its brutality and for a regrettable factor: its undesirable relevance today. [Full review in Spanish]
Posted Feb 03, 2026
Edit critic review
|
|
8/10
|
Shine a Light
(2008)
|
Emiliano Basile
|
The film isn't a documentary but a musical, because Martin Scorsese discovers that the best way to portray the band isn't through interviews (some of which function as interludes between songs) but on stage itself. [Full review in Spanish]
Posted Feb 03, 2026
Edit critic review
|
Continue with Google
>
