Rotten Tomatoes
Movies Tv shows RT App News Showtimes

Otroscines.com

Tomatometer-approved publication.

Prev Next
Rating Title | Year Author Quote
3/5
Playa de Lobos (2025) Diego Batlle ...everything hinges on the acting duel...to carry a solid dramatic engine built on sharp dialogue and elements that are not only comedic but also worthy of a Hitchcockian thriller...[Full review in Spanish]
Posted Mar 03, 2026Edit critic review
4/5
Hoppers (2026) Diego Batlle While the description may initially sound a bit convoluted and even forced, Daniel Chong constructs an agile, fluid, and endearing story...[Full review in Spanish]
Posted Mar 02, 2026Edit critic review
4.5/5
EPiC: Elvis Presley in Concert (2025) Diego Batlle If any of you are fans of Elvis, rock, and concert films, do yourselves a favor and rush to one of the remaining screenings of EPiC: you'll have an unforgettable, and yes, EPiC, experience...[Full review in Spanish]
Posted Mar 02, 2026Edit critic review
4.5/5
Sad Girlz (2026) Diego Batlle ...the film's success lies in the chemistry, the unbreakable bond between these two girls who support each other even through the saddest, most distressing, and most challenging moments they will face. [Full review in Spanish]
Posted Mar 01, 2026Edit critic review
2/5
Scream 7 (2026) Diego Batlle Not even the tensions, estrangements, and subsequent reunions...manage to give a minimum of emotion, depth, or substance to Scream 7, which seems to have sunk to the lowest depths of the franchise and the genre. [Full review in Spanish]
Posted Feb 26, 2026Edit critic review
4/5
Little Amélie or the Character of Rain (2025) Diego Batlle Charming and melancholic, lyrical and endearing, enchanting and somewhat sad at the same time, Little Amélie or the Character of Rain is one of those films that offers multiple layers of interpretation...[Full review in Spanish]
Posted Feb 25, 2026Edit critic review
4/5
The Loneliest Man in Town (2026) Diego Batlle The result is a small, tender, honest, proudly vintage film, at times even funny (without ever descending into pathos or mocking the protagonist), and in its own way—even in its restraint and austerity—deeply moving. [Full review in Spanish]
Posted Feb 24, 2026Edit critic review
1.5/5
Rosebush Pruning (2026) Violeta Kovacsics The tone [of the film] is one of constant emphasis, over-explanation, and provocation without substance. [Full review in Spanish]
Posted Feb 23, 2026Edit critic review
1.5/5
Josephine (2026) Violeta Kovacsics The problem is that the violence is not only intrinsic to the act the girl witnesses, but also to the film's mise-en-scène itself. [Full review in Spanish]
Posted Feb 23, 2026Edit critic review
4/5
Neighboring Sounds (2012) Diego Batlle A real discovery of the new wave of Brazilian cinema. [Full review in Spanish]
Posted Feb 23, 2026Edit critic review
4/5
Pictures of Ghosts (2023) Diego Batlle A film that is beautiful, sad, and deeply moving all at once. [Full review in Spanish]
Posted Feb 23, 2026Edit critic review
3.5/5
Chronicles from the Siege (2026) Diego Batlle The film is narrated with raw intensity, using a lot of handheld camera work, with an intensity, starkness, and visceral quality that are deeply moving. [Full review in Spanish]
Posted Feb 20, 2026Edit critic review
5/5
My Wife Cries (2026) Violeta Kovacsics My Wife Cries is perhaps Schanelec's most emotional film, and it is a tribute to cinema and mise-en-scène, a testament to the fact that it is through the perfect shot that one can traverse the complexity of emotions. [Full review in Spanish]
Posted Feb 20, 2026Edit critic review
The River Train (2026) Diego Batlle There's something timeless about the film, as if Milo's misadventures could unfold in the present day but also in some uncertain moment of the past...[Full review in Spanish]
Posted Feb 20, 2026Edit critic review
2.5/5
Strangers in the Park (2026) Diego Batlle Strangers in the Park is a generational comedy without big gags, a story without much nuance or subtlety that is easy to follow and elicits a few occasional smiles (I doubt they'll turn into belly laughs). [Full review in Spanish]
Posted Feb 19, 2026Edit critic review
2.5/5
Keeper (2025) Diego Batlle The fact that Maslany does her job well, that the director manages to create a couple of genuinely terrifying moments...doesn't redeem the film from a rather frustrating final result. [Full review in Spanish]
Posted Feb 19, 2026Edit critic review
3.5/5
Prosecution (2026) Diego Batlle ...while it functions effectively as a genre film, it also serves as a powerful indictment of neo-Nazi ideology...[Full review in Spanish]
Posted Feb 19, 2026Edit critic review
4/5
Wax & Gold (2026) Violeta Kovacsics Wax & Gold reflects on the history and present of Ethiopia through a decidedly Bourdieusian lens... [Full review in Spanish]
Posted Feb 19, 2026Edit critic review
3.5/5
Light Pillar (2026) Diego Batlle After several short and medium-length films, Xu Zao crafts a climactic, evocative, beautiful, lyrical, and simultaneously unsettling feature film in Light Pillar...[Full review in Spanish]
Posted Feb 19, 2026Edit critic review
4.5/5
Everything Else Is Noise (2026) Violeta Kovacsics Everything Else Is Noise is not only a tremendously funny film, but also a work about cinema, about sound, about music, about female roles, and about masculinity.[Full review in Spanish]
Posted Feb 19, 2026Edit critic review
Forest Up in the Mountain (2026) Diego Batlle Urgent, visceral, analytical, essayistic, with one foot in the present and the other in history, Up in the Mountains is a film that, even more so in the current context of Argentina, the world... is both a rarity and a necessity. [Full review in Spanish]
Posted Feb 19, 2026Edit critic review
3/5
Iván & Hadoum (2026) Diego Batlle ...Laurent Cantet's debut film treads somewhat predictable paths, but it does so with sincerity and even a certain restraint and asceticism. [Full review in Spanish]
Posted Feb 18, 2026Edit critic review
4/5
The Red Hangar (2026) Diego Batlle ...The Red Hangar becomes an implacable, devastating, yet intelligent look at this one-man war, navigating all kinds of adversity to avoid the torture and cold-blooded executions that prevailed during those macabre hours. [Full review in Spanish]
Posted Feb 18, 2026Edit critic review
2.5/5
The Weight (2026) Violeta Kovacsics The Weight works by strictly adhering to the structure of escape films, although it fails to develop a truly ensemble portrait or flesh out the characters who travel with the protagonist. [Full review in Spanish]
Posted Feb 17, 2026Edit critic review
2.5/5
Queen at Sea (2026) Violeta Kovacsics Hammer attempts to introduce some profound issues, such as the role of institutions in caregiving, or the concept of consent; however, it fails to navigate the complexity. [Full review in Spanish]
Posted Feb 17, 2026Edit critic review
3.5/5
Rose (2026) Violeta Kovacsics Set in early 17th-century Germany and rendered in luminous black and white, Rose emerges through the disciplined precision of its framing. [Full review in Spanish]
Posted Feb 17, 2026Edit critic review
2.5/5
The Moment (2026) Violeta Kovacsics What results is not so much a tension between reality and fiction, but between cinema and audiovisual media. And in that context, the eminently cinematic actors are the best thing about the film. [Full review in Spanish]
Posted Feb 17, 2026Edit critic review
3/5
Yellow Letters (2026) Diego Batlle While at times the film seems overly burdened with its accumulation of misfortunes...Çatak more than compensates for this through the two extraordinary performances by Özgü Namal and Tansu Biçer...[Full review in Spanish]
Posted Feb 17, 2026Edit critic review
3/5
In A Whisper (2026) Diego Batlle ... In A Whisper reaches its best moments when it focuses on the most intimate and in many cases tender relationships between the characters...[Full review in Spanish]
Posted Feb 17, 2026Edit critic review
4/5
Barbara Forever (2026) Diego Batlle Barbara Forever stands on its own merits and is a remarkable work of archival research, editing, and exposition that transcends the mere framework of a tribute (which it also is). [Full review in Spanish]
Posted Feb 17, 2026Edit critic review
3/5
Only Rebels Win (2026) Diego Batlle While the story may initially sound somewhat simplistic and Manichean, Arbid keeps it far removed from heroic epics, moralizing pronouncements, and emotional manipulation, offering a rather austere perspective. [Full review in Spanish]
Posted Feb 17, 2026Edit critic review
3.5/5
Everybody Digs Bill Evans (2026) Violeta Kovacsics At its core, there is something distinctly jazz-like in the way Gee portrays his subject. [Full review in Spanish]
Posted Feb 16, 2026Edit critic review
2.5/5
Wuthering Heights (2026) Diego Batlle This 2026 Wuthering Heights [adaption] tries to be everything at once: classic and (post) modern, faithful and innovative, but it doesn't delve deeply into any aspect. [Full review in Spanish]
Posted Feb 11, 2026Edit critic review
3.5/5
Crime 101 (2026) Diego Batlle ...even with its excesses and self-indulgence, its overreaching ambitions for what is essentially a thriller with a noir feel, Crime 101 has undeniable appeal...[Full review in Spanish]
Posted Feb 11, 2026Edit critic review
3.5/5
Queen of Chess (2026) Diego Batlle The archival footage is excellent, the testimonies of the entire Polgár family and several chess experts are valuable, and the editing is impeccable. [Full review in Spanish]
Posted Feb 09, 2026Edit critic review
3.5/5
Is This Thing On? (2025) Diego Batlle It may not be a particularly profound, unsettling, or provocative psychological study, but there's something about its fluidity and lightness that... is ultimately enjoyable and appreciated. [Full review in Spanish]
Posted Feb 06, 2026Edit critic review
Sweet Home Alabama (2002) Diego Batlle ...[Reese Witherspoon's] presence on screen is one of the main attractions of this barely convincing revival of the basic formulas of the romance novel. [Full review in Spanish]
Posted Feb 06, 2026Edit critic review
2.5/5
It Would Be Night in Caracas (2025) Diego Batlle ... It Would Be Night in Caracas ends up being more of a cathartic and denunciatory film than an artistically surprising and profound one. [Full review in Spanish]
Posted Feb 04, 2026Edit critic review
2/5
Ella McCay (2025) Diego Batlle [James L. Brooks's return]...is, in principle, cause for celebration, especially with a story for which he clearly had free rein and welcome creative freedom, but the artistic result is as flawed as it is ultimately frustrating. [Full review in Spanish]
Posted Feb 03, 2026Edit critic review
2.5/5
Greenland 2: Migration (2026) Diego Batlle ...this sequel doesn't go beyond what many films and series designed for direct consumption on streaming platforms offer and achieve. [Full review in Spanish]
Posted Feb 03, 2026Edit critic review
3/5
The Damned (2024) Diego Batlle The film is dazzling...However, in its 89 minutes...it falls somewhat short in its dramatic development and its foray into period horror (at times it feels like a watered-down Robert Eggers). [Full review in Spanish]
Posted Feb 02, 2026Edit critic review
3/5
The Sweet East (2023) Diego Batlle It's clear that Sean Price Williams enjoys the provocative style of 1970s American cinema...but The Sweet East —even with its quirks, arbitrary choices, and significant inconsistencies between scenes—stands on its own. [Full review in Spanish]
Posted Feb 02, 2026Edit critic review
3/5
Arco (2025) Diego Batlle I think Bienvenu's debut film owes too much to the Ghibli aesthetic and proposes a hopeful (perhaps even idealistic?) discourse bordering on New Age imagery, when imagining the future of humanity. [Full review in Spanish]
Posted Feb 02, 2026Edit critic review
3/5
The Musicians (2025) Diego Batlle It's not a film that will generate too many surprises, but it's constructed with the welcome professionalism that French cinema almost always displays in any of its variations. [Full review in Spanish]
Posted Jan 29, 2026Edit critic review
3.5/5
Young Hearts (2024) Diego Batlle ...the film never loses its focus, its sensitivity, or its empathy, thanks to a sober, austere, and even modest mise-en-scène that never strays from naturalism. [Full review in Spanish]
Posted Jan 27, 2026Edit critic review
3/5
The Whisper (2025) Diego Batlle South American horror cinema may offer scripts that are more or less ingenious and surprising, but at this stage of its evolution, the standard in most areas is already good or better. The Whisper lives up to that achieved status. [Full review in Spanish]
Posted Jan 23, 2026Edit critic review
3.5/5
Twinless (2025) Diego Batlle In several ways, Twinless succumbs to certain clichés and commonplaces of American independent cinema...but it compensates doubly, ultimately displaying brutal honesty...[Full review in Spanish]
Posted Jan 23, 2026Edit critic review
2.5/5
Mercy (2026) Diego Batlle ...Mercy is skillfully conceived by Timur Bekmambetov, but its denunciation of the abuses of misapplied technology and the excesses of state control over the citizen is rather obvious. [Full review in Spanish]
Posted Jan 22, 2026Edit critic review
3/5
Anemone (2025) Diego Batlle ...we are faced with a film that is not entirely successful, too bombastic and overloaded, but at the same time with several impressive scenes and the pleasure of reuniting with [Daniel Day-Lewis]. [Full review in Spanish]
Posted Jan 20, 2026Edit critic review
3.5/5
I'm Chevy Chase and You're Not (2025) Diego Batlle In short, the production is very comprehensive, and the archival footage...is excellent, but the structure is decidedly conventional. [Full review in Spanish]
Posted Jan 20, 2026Edit critic review
Prev Next