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Cinemalogue

Cinemalogue is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Rubin Safaya, Todd Jorgenson.

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Rating Title | Year Author Quote
Undercard (2025) Todd Jorgenson Strong performances fight against a pedestrian script in the latest underdog saga using boxing as a vehicle for redemption and reconciliation.
Posted Feb 27, 2026Edit critic review
Operation Taco Gary's (2024) Todd Jorgenson While you can admire its go-for-broke irreverence and even its goofy offbeat charms, this sketchy and sophomoric road-trip saga can’t sustain its comic momentum at feature length.
Posted Feb 27, 2026Edit critic review
The Napa Boys (2025) Todd Jorgenson Perhaps some heavy wine drinking would increase the enjoyment level of this loose collection of sophomoric gags that feels like one rambling inside joke. Some moviegoers might get it; others will find it excruciating.
Posted Feb 27, 2026Edit critic review
Paul McCartney: Man on the Run (2025) Todd Jorgenson ... a treat for fans that’s consistently engrossing while mostly avoiding hagiography.
Posted Feb 27, 2026Edit critic review
K-Pops! (2024) Todd Jorgenson Despite a thoroughly formulaic narrative arc, this amusing semiautobiographical comedy carries a sweetness and goofy sincerity.
Posted Feb 27, 2026Edit critic review
Idiotka (2025) Todd Jorgenson More silly than substantial, this heartfelt yet predictable satire offers a lighthearted probe of intergenerational family dynamics and the elusive American Dream.
Posted Feb 27, 2026Edit critic review
For Worse (2025) Todd Jorgenson A first-rate ensemble cast propels this sharply observed comedy, which delightfully explores vulnerability and gender roles while balancing absurdity with heartfelt charm.
Posted Feb 27, 2026Edit critic review
Dreams (2025) Todd Jorgenson ... yields urgency and avoids turning heavy-handed, even as it navigates logical gaps and stumbles through an unconvincing climax.
Posted Feb 27, 2026Edit critic review
In the Blink of an Eye (2026) Todd Jorgenson Its big ideas become muddled, and the uneven narrative momentum leaves it feeling more tedious than profound.
Posted Feb 27, 2026Edit critic review
How to Make a Killing (2026) Todd Jorgenson While it doesn’t take itself too seriously, this dark comedic thriller feels familiar rather than provocative in its morally ambiguous satire specifically targeting the 1 percent.
Posted Feb 20, 2026Edit critic review
This Is Not a Test (2025) Todd Jorgenson ... an uneven coming-of-age horror saga in which the ambition surpasses the execution.
Posted Feb 20, 2026Edit critic review
Midwinter Break (2026) Todd Jorgenson Richly textured performances struggling to spark this examination of aging, devotion, and self-discovery that’s thoughtful yet forgettable.
Posted Feb 20, 2026Edit critic review
Last Ride (2026) Todd Jorgenson Rather than going overboard in maximizing the queasy discomfort, it evolves into a contemplative study of friendship, mortality, and childhood innocence that’s more slight than substantial.
Posted Feb 20, 2026Edit critic review
Kokuho (2025) Todd Jorgenson ... deliberately paced yet visually striking and emotionally intense, bolstered by committed portrayals from the two leads.
Posted Feb 20, 2026Edit critic review
The Dreadful (2026) Todd Jorgenson Emphasizing atmosphere over plot, this slow-burning psychological thriller is too emotionally muted to generate any meaningful tension
Posted Feb 20, 2026Edit critic review
Crime 101 (2026) Todd Jorgenson Some sharply crafted set pieces and confrontations enliven the proceedings, but this crime saga mostly plays out like material we’ve seen done before, and better.
Posted Feb 13, 2026Edit critic review
Wuthering Heights (2026) Todd Jorgenson More of a revisionist reimagining than a faithful adaptation, this sweaty new take is visually dazzling, almost enough to compensate for a script that turns woefully shallow and sentimental.
Posted Feb 13, 2026Edit critic review
GOAT (2026) Todd Jorgenson It’s an amusing if thoroughly predictable underdog saga that should resonate with aspiring young hoopers looking for some inspiration in the age of social media and viral videos.
Posted Feb 13, 2026Edit critic review
Good Luck, Have Fun, Don't Die (2025) Todd Jorgenson All three components of that goofy title will resonate for those on the same offbeat wavelength as this ambitious science-fiction satire that’s both amusing and provocative.
Posted Feb 13, 2026Edit critic review
Sweetness (2025) Todd Jorgenson Despite some committed performances and intriguing character dynamics, this Canadian coming-of-age thriller bogs down in contrivances while exploring celebrity fanaticism and the perils of fame.
Posted Feb 13, 2026Edit critic review
My Father's Shadow (2025) Todd Jorgenson Set against a backdrop of real-life sociopolitical tension and government corruption, this coming-of-age drama finds a tender poignancy through its expressive performances.
Posted Feb 13, 2026Edit critic review
Hunting Jessica Brok (2025) Todd Jorgenson This bloody South African revenge saga becomes more exhausting than thrilling.
Posted Feb 13, 2026Edit critic review
Honey Bunch (2025) Todd Jorgenson Despite some unanswered questions within its convoluted mythology, the film unspools some compelling twists and creepy atmospheric visuals amid a discomforting maze of shifting loyalties and old-school paranoia.
Posted Feb 13, 2026Edit critic review
Cold Storage (2026) Todd Jorgenson It maintains a breezy vibe and the performances are appealing, although the derivative underlying story only occasionally sparks to life.
Posted Feb 13, 2026Edit critic review
By Design (2025) Todd Jorgenson ... a curiosity piece in which the one-joke premise becomes more tedious than amusing.
Posted Feb 13, 2026Edit critic review
Dracula (2025) Todd Jorgenson This handsomely mounted if wildly uneven adaptation is atmospheric and evocative yet almost cartoonishly over the top and difficult to take seriously.
Posted Feb 06, 2026Edit critic review
The Moment (2026) Todd Jorgenson It’s both self-deprecating and self-indulgent, without enough laughs to satisfy anyone but the most ardent fans.
Posted Feb 06, 2026Edit critic review
Whistle (2025) Todd Jorgenson Featuring characters whose deaths are more compelling than their lives, this lackluster supernatural horror flick is strictly for gore-seeking genre devotees.
Posted Feb 06, 2026Edit critic review
Teacher's Pet (2025) Todd Jorgenson Between the shallow characters and the absurd twists, this low-budget suburban thriller never feels grounded in real-world fears and anxieties enough to generate consistent suspense.
Posted Feb 06, 2026Edit critic review
The President's Cake (2025) Todd Jorgenson Layering melancholy charm into a powerful look at sociopolitical oppression and indoctrination, this coming-of-age drama is a quietly perceptive story of childhood innocence.
Posted Feb 06, 2026Edit critic review
Pillion (2025) Todd Jorgenson This bittersweet comedy resonates with refreshing candidness and heartfelt charm to overcome its contrivances as a wish-fulfillment fantasy.
Posted Feb 06, 2026Edit critic review
Jimpa (2025) Todd Jorgenson Despite some richly textured performances and intriguing character dynamics, this earnest family drama about queer identity and acceptance becomes overwhelmed by heavy-handed sentimentality.
Posted Feb 06, 2026Edit critic review
Send Help (2026) Todd Jorgenson With its clever concept and delightfully offbeat sensibility, this dark comic thriller has style and attitude to spare.
Posted Jan 31, 2026Edit critic review
Shelter (2026) Todd Jorgenson Statham's latest revenge thriller winds up as only a slight variation on his tried-and-true vigilante template.
Posted Jan 31, 2026Edit critic review
Worldbreaker (2025) Todd Jorgenson The action is relegated largely to bookend sequences, perhaps due to budget constraints, turning the film into a coming-of-age empowerment story that struggles to forge new territory or generate consistent suspense.
Posted Jan 31, 2026Edit critic review
A Poet (2025) Todd Jorgenson ... examines self-destructive obsession while effectively shifting tones between poignant character study and absurdist art satire.
Posted Jan 31, 2026Edit critic review
Pike River (2025) Todd Jorgenson Although the film’s underdog trajectory is familiar, focusing on the emotional journey of the two persistent yet otherwise unassuming crusaders at its core keeps its righteous indignation from feeling heavy-handed.
Posted Jan 31, 2026Edit critic review
Natchez (2025) Todd Jorgenson The sociological themes resonate beyond the boundaries of the titular Mississippi riverfront city in this fascinating documentary about generational shifts and historical reckonings.
Posted Jan 31, 2026Edit critic review
The Love That Remains (2025) Todd Jorgenson The melancholic screenplay is heavily fragmented, yet there’s a tenderness and intimacy to the storytelling that deepens its emotional impact.
Posted Jan 31, 2026Edit critic review
Islands (2025) Todd Jorgenson The deliberately paced film rewards patience by steadily building suspense through an ambiguity that rarely feels forced.
Posted Jan 31, 2026Edit critic review
Arco (2025) Todd Jorgenson Within its relaxed rhythm, his coming-of-age fantasy features striking imagery combined with a simple yet charming story rooted in real-world emotions.
Posted Jan 31, 2026Edit critic review
The Wrecking Crew (2026) Todd Jorgenson While the film literally plays to the strengths its stars, the gags feel labored and any attempt to escalate the underlying emotional stakes falls flat.
Posted Jan 28, 2026Edit critic review
Mercy (2026) Todd Jorgenson This ticking-clock thriller is too half-hearted to be provocative, and too contrived to yield sufficient emotional depth or moral complexity.
Posted Jan 23, 2026Edit critic review
H Is for Hawk (2025) Todd Jorgenson The majestic avian co-star steals the show in this bittersweet saga of grief and healing that tugs too aggressively at the heartstrings.
Posted Jan 23, 2026Edit critic review
Clika (2026) Todd Jorgenson This earnest coming-of-age drama adheres to a generic rags-to-riches framework. It’s not nearly as compelling when the tunes aren’t playing.
Posted Jan 23, 2026Edit critic review
My Animal (2023) Todd Jorgenson ... struggles to mesh its disparate ideas and escape its almost dreamlike trance. It’s too uneven to show its teeth.
Posted Jan 23, 2026Edit critic review
Signing Tony Raymond (2025) Todd Jorgenson Maybe it deserves credit for trying to tackle the cesspool of contemporary college football recruiting, but this comedy is too detached from reality to score either as a broad lampoon or an underdog crowd-pleaser.
Posted Jan 23, 2026Edit critic review
The Rip (2026) Todd Jorgenson Amounting to a side project for Damon and Affleck, this formulaic crime thriller lacks sufficient character depth and thematic complexity to escalate the stakes as intended.
Posted Jan 16, 2026Edit critic review
Sound of Falling (2025) Todd Jorgenson Relentlessly bleak yet powerfully audacious, this haunting German drama builds cumulative potency from its overlapping stories.
Posted Jan 16, 2026Edit critic review
A Private Life (2025) Todd Jorgenson Jodie Foster’s playfully wily performance outshines the uneven script in this slight French caper, in which the silliness overwhelms the suspense.
Posted Jan 16, 2026Edit critic review
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